5007 Stedman Cinques

Layout
5007 Stedman Cinques Op. 3
Composed by Lucinda J Woodward
2314567890E 5 6 19  
31425678E90 a  
416352 – s–  
612354 –  
413265 s 2 2  
4132658709E b  
415362 –  
512364 –  
413256 s 2 2  
41235687E90 c  
216453 – s–  
613452 –  
214365 s 2 2  
2143657809E b  
215463 –  
513462 –  
214356 s 2 2  
21345678E90 c  
216354 –  
614352 –  
213465 s 2 2  
2134658709E b  
314265 – 2  
412365 – 2  
(2143658709E) – s (23)

a = 1.6.8.10-13.s15 (20)
b = s2.3.7.8.12.13.15.16.s21
c = s2.3.8.9.s12.s15.18.s21
14 56s (0f,14b), 6 65s (0f,6b), 71 4-bell runs (12f,59b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
75
   90E SE Single (s)
23
Performances
Date Type Details