5007 Stedman Cinques

Layout
5007 Stedman Cinques Op. 21
Composed by Lucinda J Woodward
2314567890E 5 6 9 16 18 19
41236578E90 a
512364 2 s
213465 – s –
314265 – 2
314256E9780 b
413256 – s
312546 – s –
513246 s s –
315246 – s
512436 – s –
213456 –
4123658709E c
512364 2 s
213465 – s –
314265 – 2
41326578E90 d
513264 2 s
312465 – s –
214365 – 2
214356E9780 b
412356 – s
213546 – s –
512346 s s –
215346 – s
513426 – s –
312456 –
4132658709E c
513264 2 s
312465 – s –
2143658709E – 2

a = 1.5.7.8.10.11.13.15.16 (20)
b = 3.s8.s10.s12.21
c = 1-3.s8.9.10.s12.s16.18.21
d = 2.6.s13.s15.s19
17 56s (0f,17b), 48 4-bell runs (10f,38b), Single Whittingtons, Double Whittingtons.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
73
   90E SE Single (s)
35
Performances
Date Type Details