5007 Stedman Cinques

Layout
5007 Stedman Cinques Op. 20
Composed by Lucinda J Woodward
2314567890E 5 6 9 18 19
21435678E90 a
412356 – s
413256 s –
314256 – s
312456 s –
213456 – s
213465E9780 b
312465 – s
314265 s –
413265 – s
412365 s –
214365 – s
2143568709E c
412356 – s
413256 s –
314256 – s
312456 s –
213456 – s
21346578E90 d
312465 – s
314265 s –
413265 – s
412365 s –
214365 – s
214356E9780 b
412356 – s
413256 s –
314256 3 – s
312456 s –
213456 – s
2134658709E c
312465 – s
314265 s –
413265 – s
412365 s –
2143658709E – s

a = 1.s4.s9.17
b = 3.s8.s10.s12.21
c = 1-3.s8.s10.s12.21
d = 2.4.5.7.8.s10.s13.18.s20 (20)
17 56s (0f,17b), 18 65s (0f,18b), 77 4-bell runs (24f,53b), Single Whittingtons, Double Whittingtons.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Tenors reversed
  • Palindromic
  • Exact multipart
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
53
   90E SE Single (s)
47
Performances
Date Type Details