5007 Stedman Cinques

Layout
5007 Stedman Cinques Op. 2
Composed by Lucinda J Woodward
2314567890E 2 6 9 13 15 18 19
41236578E90 a
213465 –s s –
314265 –s s –
3142658709E b
412365 –s s –
213465 –s s –
21347568E90 – – s
312475 – s
314275 s –
413275 – s
412375 s –
214375 – s
2143657 c
413265 –s s –
312465 –s s –
3124657890E d
314265 s –
31426587E90 e
412365 –s s –
213465 –s s –
312465 – s
214365 –s s –
413265 –s s –
4132658709E – s
312465 –s s –
2143658709E –s s –

a = 1.5.7.8.10.11.13.15.16 (20)
b = 2.s7.s13.15.16
c = 4.s7.16.17
d = s5.s10.13.14.22
e = s1.2.s13.s15
17 56s (0f,17b), 6 65s (0f,6b), 62 4-bell runs (15f,47b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
53
   90E SE Single (s)
41
Performances
Date Type Details