5007 Stedman Cinques

Layout
5007 Stedman Cinques Op. 19
Composed by Lucinda J Woodward
2314567890E 6 7 16 19
41526378E90 a
412365 2
514263 – s –
314265 2 s
513462 – s –
213465 2 s
512364 – s –
214365 –
3142657890E b
513462 – s –
213465 2 s
512364 – s –
412365 2 s
514263 – s –
413265 –
21346587E90 c
512364 – s –
412365 2 s
514263 – s –
314265 2 s
513462 – s –
312465 –
4123658709E d
514263 – s –
314265 2 s
513462 – s –
213465 2 s
512364 – s –
2143658709E –

a = 1.5.7.8.10.11.13.15-17 (20)
b = 2.s7.9.10.15.16
c = s1.2.s7.s9.s13.15.16
d = 2.s7.s9.15.16
17 56s (0f,17b), 18 65s (0f,18b), 86 4-bell runs (9f,77b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
67
   90E SE Single (s)
27
Performances
Date Type Details