5007 Stedman Cinques

Layout
5007 Stedman Cinques Op. 18
Composed by Lucinda J Woodward
2314567890E 1 2 6 15 19
314265 a
413265 – s
312465 – 2
31246587E90 b
214365 – 2
413265 – 2
4132658709E – s
312465 – 2
214365 – 2
412365879E0 c
213465 – 2
314265 – 2
2143657890E d
412365 – s
213465 – 2
21346587E90 b
314265 – 2
412365 – 2
4123658709E – s
213465 – 2
314265 – 2
413265879E0 c
312465 – 2
214365 – 2
(2143658709E) –

a = 5.7.8.10.11.13-16 (20)
b = s1.2.s13.s15
c = s1.6.s13.s19.22
d = 1.9.10.s13.15.16.s18.s22
17 56s (0f,17b), 18 65s (0f,18b), 77 4-bell runs (9f,68b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
67
   90E SE Single (s)
19
Performances
Date Type Details