5007 Stedman Cinques

Layout
5007 Stedman Cinques Op. 17
Composed by Lucinda J Woodward
2314567890E 3 6 12 19
21536478E90 a
513264 – 2
412365 2 2
213465 – 2
2153648709E b
513264 – 2
412365 2 2
213465 – 2
2143658790E c
21437586 s –
31527486E90 d
21436587 e
2143657809E f
3124657890E g
21546378E90 h
514263 – 2
312465 2 2
214365 – 2
2154638709E b
514263 – 2
312465 2 2
2143658709E – 2

a = 3.4.7.8.10.15.18.19.s22.s24 (26)
b = 2.s13.s15.19
c = s3.4.s6.s11.s13.14.16 (20)
d = s1.2.6.7.s9.15.16
e = s3.6.7.s9.12.s16
f = s2.3.12.13.s15
g = s3.5.s7.s11.13.s15.s19 (20)
h = 2.6.10.s12.s14.16.17.19.20 (20)
17 56s (0f,17b), 3 65s (0f,3b), 77 4-bell runs (12f,65b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
76
   90E SE Single (s)
25
Performances
Date Type Details