5007 Stedman Cinques

Layout
5007 Stedman Cinques Op. 16
Composed by Lucinda J Woodward
2314567890E 5 6 14 19
41526378E90 a
413652 – s –
416352 s 2
413265 – s 2
4125638709E b
413562 s 3
413265 s –
31546278E90 c
312654 – s –
316254 s 2
312465 – s 2
3145628709E b
312564 s 3
312465 s –
21536478E90 c
214653 – s –
216453 s 2
214365 – s 2
2135648709E b
214563 s 3
2143658709E s –

a = 1.5.7.8.10.11.13.15-17 (20)
b = 2.s13.s15.19.19
c = 2.6.s9.s13.s15.18.19.19
17 56s (0f,17b), 89 4-bell runs (12f,77b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Tenors reversed
  • Palindromic
  • Exact multipart
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
62
   90E SE Single (s)
27
Performances
Date Type Details