5007 Stedman Cinques

5007 Stedman Cinques Op. 10
Composed by Lucinda J Woodward
2314567890E 6 7 9 18 19
125463E7089 a
245361 s
435162 s
315264 s
135462
345261 s
425163 s
215364 s
2134658709E b
125364 s
531264
342165 s
431265 s s
124365
21537486E90 c
125374 s–
21436587 d
1253748609E c
215374 s–
214375 s
21536487E90 e
13246578 f
241365
423165 s s
314265
312465 s
134265 s s
421365
243165 s s
1234657890E g
1234658709E h
215364 s
532164
341265 s
432165 s s
2143658709E

a = 1.2.5.s8.10.11.s13.14.15.17.20 (20)
b = s1.2.s6.9.10.s13.18.s22
c = s2.3.6.7.12.s15
d = s3.6.7.12
e = s2.3.s6.12.s15
f = s2.s6.s13.15.16.18
g = 9.10.s13.s16.22
h = s10.s13.s15.s22
23 56s (0f,23b), 3 65s (0f,3b), 93 4-bell runs (28f,65b), Tittums.
Blue Line
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
78
   90E SE Single (s)
47
Date Type Details