5067 Stedman Caters

Composed by John Pladdys
231456789 5 16
135792468 a
214365789 b
514362978 c
514263 s
413265 ––s––s
513264879 d
513462 s
315264
314562 e
312564 f
314265789 g
315462879 h
312465789 i
512463978 j
512364 s
214365 ––s––s
514362879 d
514263 s
415362
412563 k
413562 l
412365789 m
415263879 h
413265789 i
513264978 j
513462 s
312465 ––s––s
512463879 d
512364 s
215463
213564 e
214563 f
213465789 n
215364879 h
(214365879) o

a = 5.10.11.13.16 (16)
b = 1.4.s7.13 (14)
c = 2-4.6.s9.13.14.18
d = 3.4.6.8.11-13 (14)
e = s3.4-6.s7.s8.s10.14 (16)
f = s3.4-6.s7.s8.s10.s14 (16)
g = s3.4-6.s7.s8.14 (16)
h = s1.s3.4-6.s7.s8.s10.14 (16)
i = s3.4-6.s7.s8.s14 (16)
j = s1.3.4.6.8.11-13 (14)
k = s3.s4.s5.6.s7.s8.s10.14 (16)
l = s3.s4.s5.6.s7.s8.s10.s14 (16)
m = s3.s4.s5.6.s7.s8.14 (16)
n = 3.s4.5.6.s7.s8.14 (16)
o = s3.4-6.s7.s8.s10.s14 (17)
17 56s (0f,17b), 18 65s (0f,18b), 105 4-bell runs (16f,89b), Queens.
Blue Line
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Caters
True rows
5067
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   7 SE Bob (–)
125
   789 SE Single (s)
86