5025 Stedman Cinques

Composed by Lucinda J Woodward
1234567890E 6 9 18 19
31526478E90 a
423165 s–
421365 b
134265
132465 b
241365
243165 b
312465
3124657890E c
243165
241365 b
132465
31246587E90 d
243165
241365 b
132465
31527486 e
314275 s ss
3124658709E f
243165
241365 b
132465
31527486 e
314275 s ss
31426587E90 g
423165
421365 b
134265
3142657890E h
423165
421365 b
134265
3142658709E i
423165
421365 b
1342658709E
Start with rounds as the last row of a slow six.

a = s1.3.6.7.12.15.16.20 (21)
b = 6-8.10-13.s15 (20)
c = 12.14-19 (20)
d = s1.2.s13.15.16
e = s3.s7.12.19
f = s2.3.s9.12.s15.18
g = s2.3.12.s15
h = s10.s13.15.16.22
i = s1.s13.15.16.s22
23 56s (0f,23b), 24 65s (0f,24b), 107 4-bell runs (27f,80b).
Blue Line
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5025
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
142
   90E SE Single (s)
33