5007 Stedman Cinques

Layout
5007 Stedman Cinques
Composed by Christopher H Rogers
2314567890E 6 7 15 18 19
24135678E90 a
432156 s –
314256 s –
123456 s –
123456E9780 b
24136587E90 c
432165 s –
123465 2d
241365E7908 e
432165 s –
314265 – s –
123465 – s –
1254638790E s s
2413658709E f
314265 2d
123465 s– – –
13245678E90 g
341256 s –
423156 s –
214356 s –
214356E9780 b
13246587E90 c
341265 s –
214365 2d
132465E7908 e
341265 s –
423165 – s –
214365 – s –
2153648790E s s
1324658709E f
423165 2d
2143658709E s– – –

a = s1.2.s9.s15
b = 3.s8.s12.21
c = s1.3.7.8.s10.s12.18.21
d = 4.6.s14.16.18.19
e = 2.s7.s10.18
f = s1.6.7.18
g = 2.5.7.8.s10.s13.16.s18.s20 (20)
23 56s (0f,23b), 140 4-bell runs (30f,110b), Single Whittingtons.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
94
   90E SE Single (s)
51
Performances
Date Type Details