5007 Stedman Cinques

Layout
5007 Stedman Cinques Op. 1
Composed by Christopher H Rogers
2314567890E 6 7 10 18 19
312456789E0 a
31425678E90 s –s
412356 – s–s
213456 – s–s
123456E9780 b
2143568709E c
213456 –s
314256 – s–s
1234568790E s s –
1234567809E d
21346578E90 e
214365 –s
413265 – s–s
312465 – s–s
315246E9780 f
31527486E90 g
1342758609E h
41526387 i
413265 s
312465 – s–s
2143658709E – s–s

a = 1.6.s7.s10.s19
b = 3.7.8.s12.21
c = 1-3.s7.8.9.s12.18.21
d = 1.2.s13.s15
e = 2.s4.5.7-10.s14.s20 (20)
f = 3.8.10.s12.18.21
g = s1.3.s10.s12.21
h = 2.6.7.s15
i = s3.6.8.12.s21
14 56s (0f,14b), 12 65s (0f,12b), 72 4-bell runs (19f,53b), Single Whittingtons, Double Whittingtons.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
52
   90E SE Single (s)
39
Performances
Date Type Details