5007 Stedman Cinques

Layout
5007 Stedman Cinques Op. 10
Composed by Andrew S Hudson
2314567890E 1 6 9 18 19
312465 a
314265 s –
413265 – s
412365 s –
214365 – s
21346578E90 – s 2
314265 – 2
412365 – 2
413265 s 2
312465 – 2
214365 – 2
214365879E0 b
413265 – 2
312465 – 2
314265 s 2
412365 – 2
213465 – 2
3142658709E – – 2
412365 – 2
413265 s 2
312465 – 2
2143658709E – 2

a = 5.7.8.10.11.s13.14-16 (20)
b = 1.2.s13.s15
17 56s (0f,17b), 15 65s (0f,15b), 77 4-bell runs (9f,68b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Tenors reversed
  • Palindromic
  • Exact multipart
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
60
   90E SE Single (s)
11
Performances