5016 Stedman Cinques

Layout
5016 Stedman Cinques
Composed by Thomas F Lawrance
2314567890E 1 9 16 18
43218765 a
342187 s
143287 s s –
413287 s
214387 s s –
124387 s
321487 s s –
231487 s
43217568E90 b
342175 s
143275 s s –
413275 s
214375 s s –
124375 s
321475 s s –
231475 s
435217689E0 c
321457 d
421357 s s s
231457 s s
43215678E90 e
342156 s
143256 s s –
413256 s
214356 s s –
124356 s
321456 s s –
231456 s
234156789E0 s s –
231456 s –
4321567890E f
342156 s
143256 s s –
413256 s
214356 s s –
124356 s
321456 s s –
(2314567890E) s

a = 3.4.s6.s9.12.16-18
b = 1.7.s9.s11.13.s16.19.s22
c = s1.5.s6.s9.s14.s16.s18
d = 5.s14.s16.s18
e = s1.s4.s6.s9.16-18
f = 1.9.10.s16.18
24 56s (0f,24b), 66 4-bell runs (33f,33b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Tenors reversed
  • Palindromic
  • Exact multipart
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5016
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
33
   90E SE Single (s)
68
Performances