5007 Stedman Cinques

Layout
5007 Stedman Cinques
Composed by Edward R Mack
2314567890E 1 2 9 10 13 15 18 22  
243165 a  
214365 –  
231465 ss –  
23146578E90 – s––s––  
2314567E098 b  
2314567980E – s  
231456798E0 c  
2314576 d  
23145760E89 s s  
2314576890E – –  
23145678E90 e  
24136587 f  
231465 ––s––  
2134658709E – s s––  
2143658790E – – –  
(2143658709E) s (23)

a = s3.s8.s10.12.13.18.21.22
b = 1.s3.s8.s10.12.13.21
c = 1.1-9.s11 (22,20)
d = s4.s6.s9.s17.18.18.s18.18.18
e = 1.s4.s6.s17.s18.18.18.s18.18.18
f = s3.s8.s10.12.13.s15.s18.21.22
11 56s (0f,11b), 9 65s (0f,9b), 93 4-bell runs (46f,47b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
52
   90E SE Single (s)
33
Performances