5082 Erin Cinques

Layout
5082 Erin Cinques Op. 1 (variant)
Composed by Brian E Whiting
Arranged by Austin J Paul
1234567890E 1 2 6 7 11
(1234567809E) s
4123567809E – s A
341256 – s
234156 – s
143256 – –
214356 – s
321456 – s
432156 – s
(123456) – –
1234567E098 s
4123569E807 s – – s
341256 – s
234156 – s
123456 – s
(1234567E809) s
(1234567E809) A
123456798E0 –
(123456E9087) – s
(123456E9087) A
123456E7089 s
(1234569708E) s
1234569708E A
(123456E7089) s
(123456E7089) A
123456E9087 s
(1234567980E) – –
(1234567980E) A
1234567E890 –
(1234568E097) –
(1234568E097) A
1234568709E s
(123456) A
1234568E097 s
1234567809E s s
(1234567890E) s
1234567890E A
Far calls.
24 56s (0f,24b), 24 65s (0f,24b), 203 4-bell runs (146f,57b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Tenors reversed
  • Palindromic
  • Exact multipart
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5082
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Far
Types of call
2
   9 LE Bob (–)
101
   90E LE Single (s)
72
Performances
Date Type Details