5007 Stedman Cinques (Variation 2)

Layout
5007 Stedman Cinques Op. 17
Composed by Michael J Uphill
2314567890E 1 2 4 6 10 13 15 17 19 24  
21345678E90 – s –  
312456 – s  
214356 – 2  
2143568709E – s s  
412356 – s  
213456 – 2  
4132658790E a  
31246587E90 – – 2  
314265 s 2  
412365 – 2  
13579E24680 – – – (24)
2134658790E b  
21346578E90 c  
314265 – 2  
312465 s 2  
214365 – 2  
2143657809E – s  
214365879E0 d  
2143658790E e  
2153648709E s s  
2351048E697 f  
2134658709E g  
314265 – 2  
312465 s 2  
(2143658709E) – 2 (22,23)

a = s1.5.s8.10.11.13.s15.16 (20)
b = 1.3.s7.10.11.16.s18.20 (20)
c = 1.s2.s13.s15
d = 2.s10.s13.s15
e = s1.2.s10.s15
f = 12.13.18.19.s19
g = s9.12.13.19.19
11 56s (0f,11b), 6 65s (0f,6b), 71 4-bell runs (15f,56b), Queens.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
62
   90E SE Single (s)
27
Performances