5007 Stedman Cinques

Layout
5007 Stedman Cinques Op. 18a
Composed by Lucinda J Woodward
2314567890E 1 6 9 18 19
412365 a
213465 – 2 B
214365 s –
41236578E90 b
213465 –s s – A
314265 – 2
4132658709E c
214365 A
412365879E0 d
314265 A
4132657890E e
214365879E0 B
(2143658709E) –

a = 5.7.8.10.11.13.15.16 (20)
b = s1.2.6.s15.s19
c = 2.6.s13.s15.s19
d = s1.6.s13.s19.22
e = 1.6.s7.s10.s13.15.16.s19.s22
17 56s (0f,17b), 18 65s (0f,18b), 77 4-bell runs (12f,65b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
63
   90E SE Single (s)
37
Performances