5021 Stedman Cinques

Composed by Martin J Cansdale
2314567890E 5 6 7 14 16 18 19
24513678E90 a
423156 b
153426 c
253416 s
142356 s s
415362 d
534162
513462
145263
124563
2513648709E e
132564
153264
521463
542163
25136478E90 f
132564
153264
521463
542163
4153628709E e
534162
513462
145263
124563
251364E7908 g
132564
153264
521463
542163
214365
4321658709E h
314265 s
325164
235164 s s s
(1342658709E) i

a = 1.5-7.s9.s14.s19
b = 5.s14.s16.s18.s18
c = s7.s9.s14.s16
d = 5.6.6.s14.s16.s19
e = 2.7.s13.s15.18.19
f = 2.6.s8.9.s13.s15.18.s21
g = 6.7.s10.s15.18
h = 6.s10.s15.18.19
i = 5.6.s9.s14.s16.s18 (23)
9 56s (0f,9b), 188 4-bell runs (23f,165b).
Blue Line
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5021
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
75
   90E SE Single (s)
37