5067 Stedman Cinques

Layout
5067 Stedman Cinques
Composed by Paul N Mounsey
2314567890E 1 2 6 7 9 10 13 15 16 18 19 22
24315678E90 – –
213456 s
1234567809E – – –
2361547890E a
23416587E90 b
23417586 – s
235174 s
2351748609E – s
234175 s
32516487 c
235461 – – –
241365078 d
132465 – – –
145362 – –
415263 – – –
423165870 d
314265 – – –
3142657890E e
32146578E90 – –
2314657890E f
324165 g
234165 h
214365 s – –
124365 i
134265 j
325164 k
32416587E90 l
32417586 – s
325174 s
3251748609E – s
324175 s
23516487 c
325461 – – –
341265078 d
123465 – – –
145263 – –
415362 – – –
432165870 d
2143658709E – – –

a = s4.s10.s16.17.19
b = s1.2.5.s6.s13.14.15
c = 3.4.s7.s9.12.s17.18.19
d = 3.4.s6.8.9.s11.s13.14.16.17 (20)
e = 3.13.14.16-19 (20)
f = s7.12.14-19 (20)
g = 1.s7.9.10.s13.18.22
h = 7.8.s11.20.21
i = 1.s7.12.14-19 (20)
j = 8.9.s11.20.21
k = s1.6.7.9.10
l = s1.2.s5.s6.s13.14.15
11 56s (0f,11b), 21 65s (0f,21b), 122 4-bell runs (39f,83b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5067
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
127
   90E SE Single (s)
45
Performances