5016 Erin Cinques

Layout
5016 Erin Cinques Op. 2
Composed by Brian E Whiting
1234567890E 1 2 6 7 11
(1234567809E) s
4123567809E – s A
341256 – s
234156 – s
143256 – –
214356 – s
321456 – s
432156 – s
(123456) – –
1234567E098 s
(1234567E809) –
1234567E809 A
(1234569E087) s s
(1234569E087) A
1234569708E s
(123456E7089) s
123456E7089 A
(1234568790E) s –
1234568790E A
(1234568709E) s
(1234568709E) A
1234568E079 –
(1234568E709) s
(1234568E709) A
1234568970E s
412356E9708 s – s
341256 – s
234156 – s
123456E8709 – s s
(123456E8079) s
123456E8079 A
(1234567890E) s –
1234567890E A
24 56s (0f,24b), 24 65s (0f,24b), 197 4-bell runs (143f,54b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Tenors reversed
  • Palindromic
  • Exact multipart
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5016
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
98
   90E SE Single (s)
72
Performances