1325 Stedman Cinques

Layout
1325 Stedman Cinques
Composed by Lucinda J Woodward
2314567890E 4 6 7  
1543E276980 a  
213546798E0 b  
21E90785634 c  
21537496E80 d  
4231567890E e  
32415768E90 f  
1342E506978 g  
2310E896745 h  
51379E24680 i  
032E4165798 – s – (8)
10E325476 j  
8E907654321 k  
9E0876 l  
(1342658709E) m  

a = 1.6.s11.s13.14.15.19 (20)
b = 1.3.4.6.9.11 (12)
c = 1.s5.s7.s10.12.s14.s18 (18)
d = 2.4.6.9.11 (14)
e = 2.4.6.9.11 (12)
f = 1.6.s17.s19 (22)
g = 4.s6.s8.s10.11.13-16 (18)
h = 2.3.s5.6-8.s10.11.14.18 (18)
i = 1.2.s5.7.8.10 (10)
j = 1.2.4.6.9.11 (12)
k = 1-3.s5.6.8.10.13.16.17 (22)
l = 6.s8.10-15.s16 (20)
m = 2-7.9.11.13 (15)
9 56s (0f,9b), 56 4-bell runs (8f,48b), Queens, Tittums, Double Whittingtons, Backrounds.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
1325
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
77
   90E SE Single (s)
19
Performances