5007 Stedman Cinques

Layout
5007 Stedman Cinques Op. 4
Composed by Lucinda J Woodward
2314567890E 6 9 18 19
41236578E90 a
512364 2 s
213465 – s –
314265 – 2
2134657890E b
312465 – s
314265 s –
413265 – s
412365 s –
214365 – s
31246587E90 c
213465 – s
214365 s –
412365 – s
413265 s –
314265 – s
2143658790E d
4123658709E e
512364 2 s
213465 – s –
314265 – 2
41326578E90 f
513264 2 s
312465 – s –
214365 – 2
3142658790E g
4132658709E e
513264 2 s
312465 – s –
2143658709E – 2

a = 1.5.7.8.10.11.13.15.16 (20)
b = s5.9.10.13.14.s16.18.22
c = s1.2.s9.s13.15.16.18
d = 9.10.s13.s16.s18.22
e = 6.10.11.19.20
f = 2.6.s13.s15.s19
g = s5.9.10.13-16.s18.22
17 56s (0f,17b), 18 65s (0f,18b), 77 4-bell runs (12f,65b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
79
   90E SE Single (s)
31
Performances