5021 Stedman Cinques

Layout
5021 Stedman Cinques
Composed by Lucinda J Woodward
2314567890E 12 13 16 18 19  
41325678E90 a  
132456 s 2  
421356E9780 b  
312456 2c  
31246587E90 d  
124365 s 2  
12E09876543 e  
3210E896745 f  
23517486E90 g  
314265E7908 h  
3124658709E i  
143265 j  
125364 k  
421365 l  
2351048E697 m  
1324567890E n  
42315678E90 a  
231456 s 2  
412356E9780 b  
321456 2c  
32146587E90 d  
214365 s 2  
21E09876543 e  
3120E896745 f  
13527486E90 g  
324165E7908 h  
3214658709E i  
243165 j  
215364 k  
412365 l  
1352048E697 m  
(1342658709E) – – s (23)

a = 1.s9.s16.18.18
b = 1.4.6.9.10.s12.s14.16.s19.22
c = 1-3.s5.6.8.10.11.13.17.18 (18)
d = s1.3.s8.s10.s12.21
e = s2.4.6.8.9.11 (16)
f = 3.6.s9.s12.s14.15.18.19
g = 1.5.s8.9.12.s14 (16)
h = 2.6.7.9.10.13.s22
i = 9.10.s15.18
j = 3.4.s12.16-18
k = 3.4.s12.17-19
l = 3.4.7.s12.16.17.s19
m = 3.4.7.s13.s17.18
n = 5.s7.8.11.s13.14.16 (18)
24 56s (0f,24b), 98 4-bell runs (26f,72b), Single Whittingtons.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5021
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
163
   90E SE Single (s)
57
Performances