5007 Stedman Cinques

Layout
5007 Stedman Cinques
Composed by Lucinda J Woodward
2314567890E 1 2 6 9 15 18 19
21435678E90 a
412356 – s
413256 s –
314256 – s
312456 s –
213456 – s
2134657890E b
312465 – s
314265 s –
413265 – s
412365 s –
214365 – s
21436578E90 s – s
412365 – s
413265 s –
314265 – s
312465 s –
213465 – s
2143658790E c
214365E7908 s
412365 – s
413265 s –
314265 – s
312465 s –
213465 – s
2153648790E s –
21436587E90 d
412365 – s
413265 s –
314265 – s
312465 s –
213465 – s
2134658709E – s
312465 – s
314265 s –
413265 – s
412365 s –
2143658709E – s

a = 1.s4.s9.17
b = s5.7.s9.11.s15.s17.s19 (20)
c = 9.10.s13.s15.18.22
d = s1.2.s15.s19
17 56s (0f,17b), 18 65s (0f,18b), 106 4-bell runs (14f,92b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
42
   90E SE Single (s)
47
Performances