5056 Spliced Surprise Major (7m)

Layout
5056 7-Spliced Surprise Major
Composed by Albert J Pitman
Arranged by Stanley Jenner
23456 M W F I B H Methods
42356 – B.
63254 – – L.LP.
62534 3 – 2 RC.B.M.C.CR.LCCSP.
53624 3 – – L.M.B.P.CR.
65324 – – – – LPC.M.M.R.
43526 – – L.MMMMMMB.
32465 – CS.CC
36524 2 – – SSS.RRRRRRR.S.CSP.
23564 – LS.L
36245 2 2 RP.B.LLLLL.M.L
52643 – – L.SL.
24653 – 2 – – PSC.S.RPPRC.SSSSC.SC.
26543 – 2 MBBBBBB.L.RCPL.
63542 – 3 2 RC.C.B.M.L.PSCCL.
32546 – 2 RC.CL.M.
53246 3 – LP.M.B.L.
46532 2 – RC.CCRPSS.S.PPC
26354 – 2 – PPP.S.CSPLP.CSP.
32654 3 – RP.B.M.CL.
23456 2 2 L.RRSPS.PL.B.
Contains 928 Cambridge; 864 London; 800 Superlative; 768 Pudsey; 704 Charcott (R); 512 Millbank; 480 Bristol; 113 com; atw.
73 crus (9f,64b), 22 5678s (2f,20b), 11 6578s (1f,10b), 109 4-bell runs (48f,61b), 266 5678 combinations (88f,178b), 16 8765s (1f,15b), Tittums, Reverse Waterfall.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
7
Changes of method
113
Stage
Major
True rows
5056
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Near
Types of call
1
   14 LE Bob (–)
68
Performances
Date Type Details