5007 Stedman Cinques

Layout
5007 Stedman Cinques Op. 4 (Variation 8)
Composed by Michael J Uphill
2314567890E 1 4 6 17 19
21345678E90 – s –
314256 – 2
312456 s 2
213654 – –
2143568709E a
413256 – 2
412356 s 2
213456 – 2
2143658790E b
41326587E90 – – 2
412365 s 2
213465 – 2
314265879E0 s – 2
312465 c
213564 – –
21436578E90 d
413265 – 2
412365 s 2
214563 – –
2134658709E a
314265 – 2
312465 s 2
2143658709E – 2

a = 2.s13.s15.19
b = s1.5.s8.10.11.s13.15.16 (20)
c = s1.s6.s10.19.19
d = s1.s2.s13.s15.19
11 56s (0f,11b), 9 65s (0f,9b), 68 4-bell runs (9f,59b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
58
   90E SE Single (s)
21
Performances