5052 Stedman Cinques

Composed by Lucinda J Woodward
2314567890E 1 9 12 13 16 18 19
34215678E90 s
413256 s
124356 s
231456 s
2314657890E a
234165 s
312456798 b
312457698E0 c
32146587E90 d
324165 s
2134658709E e
2153048E697
1423658709E f
431265 g
31427586 h
32416587 i
231456E9780 j
E97531246 k
2134567890E l
14235678E90 s
431256 s
324156 s
213456 s
2134657890E a
214365 s
132456798 b
132457698E0 c
12346587E90 d
124365 s
2314658709E e
2351048E697
3421658709E f
413265 g
13427586 h
12436587 i
13579E24680 m
531246E97 n
23517496E80 o

a = 1.s2.s4.5.7.9.s12.13-17 (18)
b = s1.3.4.7.12.15.16.22 (24)
c = 1.s6.s10.s17.s19
d = s3.4.s10.17.21
e = 2.15.16.18
f = 7.12.13.s19
g = 3.4.s12.16-18
h = 3.4.s7.12.17
i = 3.4.12.17.18
j = s1.2.4.5.8.s10.11.14.s18 (28)
k = 1.2.s5.7.8.10.11.s14.15.18.19
l = 1.s4.5.8.10.11.13
m = 1.s10.15.17.24 (24)
n = 6.10.13.s17.19.21.22
o = 1.s8.s10.13.18.19.22.23 (23)
24 56s (0f,24b), 12 65s (0f,12b), 88 4-bell runs (28f,60b), Queens, Single Whittingtons, Double Whittingtons, Kings.
Blue Line
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5052
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
139
   90E SE Single (s)
48