5007 Stedman Cinques

Layout
5007 Stedman Cinques Op. 4
Composed by Mark C Bennett
2314567890E 2 6 13 15 19
21435678E90 a
413256 – 2 A
312456 – 2
314256 s 2
412356 – 2
213456 – 2
2134568709E – s s
314256 – s–s B
412356 – s–s
214356 – s
21436587E90 b
213465 B
2134658709E – s
2143658709E A

a = 1.s4.s9.17
b = s2.s4.5.7-9.11 (20)
17 56s (0f,17b), 18 65s (0f,18b), 85 4-bell runs (11f,74b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
47
   90E SE Single (s)
19
Performances
Date Type Details