5007 Stedman Cinques

Layout
5007 Stedman Cinques
Composed by Martin J Cansdale
6 7 9 18 19
42315678E90 a
324156 – s
251364 b
132564 – – – A
153264 –
521463 – – –
542163 –
432165 – s s
415362E7908 c
124563 A
2513648709E d
542163 A
432165 – s s
41536278E90 e
124563 A
234561 –
25136487 f
542163 A
432165 –
4153628709E g
124563 A
2143658709E – – –

a = 1.s7.s9.s16.18 (23)
b = 7.8.10.11.s13.14.15 (20)
c = 2.s7.s10.s13.s16.18.19
d = 7.s7.s10.15.16.18.19
e = 2.s7.s13.15.16.18.19
f = s2.s7.s13.15.16.18.19
g = 2.s7.15.16.18.19
5 56s (0f,5b), 182 4-bell runs (24f,158b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
86
   90E SE Single (s)
21
Performances