5152 Spliced S Major (7m)

Layout
5152 7-Spliced Surprise Major
Composed by Albert J Pitman
Arranged by Stanley Jenner
23456 M B W H Methods
23564 2 2 – L.B.WWKWW.B.L.
65432 – – W.C.W
25346 – 2 – W.C.WKS.PPS.
65243 2 3 W.B.SL.B.B.
35426 – 2 – W.C.CSPWC.L.
54326 3 2 L.B.PKK.CCSP.KKP.
25463 2 2 2 L.B.KKWKK.B.L.PKK.
42563 3 – PSPC.KKP.B.L.
64523 – LP.W
32546 – – – W.P.L.
53246 3 – LP.SLL.B.CSP.
45236 – LC.L
53462 2 2 L.B.KWKWK.B.L
24365 – – L.CL.
32465 3 – PSC.B.LLS.PL.
63425 – 3 LC.W.B.B.
43265 2 – LS.B.W.
35264 – 3 2 SPP.S.WWC.B.K.PSCCL.
45362 – – SP.BBB.W
63254 – – 3 CSC.C.W.SCLSS.SSLCS.
52436 – – W.S.CSC
23456 – – W.BBB.PS
Contains 864 London; 800 Superlative; 768 Watford; 736 Bristol, Cambridge; 672 Pudsey; 576 Kendal; 126 com; atw.
93 crus (21f,72b), 19 5678s (3f,16b), 16 6578s (6f,10b), 93 4-bell runs (45f,48b), 259 5678 combinations (136f,123b), 10 8765s (8f,2b), Queens, Reverse Waterfall, Backrounds.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
7
Changes of method
126
Stage
Major
True rows
5152
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Near
Types of call
1
   14 LE Bob (–)
78
Performances