5093 2-Spliced Caters

Layout
5093 2-Spliced Caters
Composed by Robert C Kippin
231456789 1 2 3 4 7 Methods  
123547968 a AS.Q.SQSQSQS.Q.SQSQSQS.Z  
134527 b b b GG.G.G.G   B
124537 s ASQSQ.SQSQSQSQSQSQSZ (18)
143527 b b b GG.G.G.G  
132547 b b b GG.G.G.G  
321547 A  
142537896 – s S.QSQ.SQSQSQSQSQSQSZ (18)
123547 b b b GG.G.G.G   A
132547 B  
321547 A  
142539687 – s s S.QSQ.SQS.QSQSQSQSQSZ (18)
132549 A  
321549 A  
142539768 – s S.QSQ.SQSQSQSQSQSQSZ (18)
132549 A  
321549 A  
142539876 – s S.QSQ.SQSQSQSQSQSQSZ (18)
132549 A  
321549 A  
142537689 – s s S.QSQ.SQS.QSQSQSQSQSZ (18)
132547 A  
321547 A  
142537869 s s S.QSQ.SQSQSQSQSQSQSZ (18)
132547 A  
321547 A  
142537986 – s S.QSQ.SQSQSQSQSQSQSZ (18)
132547 A  
321547 A  
142537698 – s S.QSQ.SQSQSQSQSQSQSZ (18)
(132547698) A  
Stedman calls; b = 3.1 Grandsire Bob.

a = s1.2.s9.10.17 (18)
Contains 3149 Grandsire; 1944 Stedman (A, Q, S, Z); 35 com.
A = 2 rows starting with change 5 of a Stedman quick six
Z = 4 rows starting with change 1 of a Stedman quick six
18 56s (0f,18b), 3 65s (0f,3b), 206 4-bell runs (99f,107b), Backrounds.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
2
Changes of method
35
Stage
Caters
True rows
5093
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
3
   3.1 Grandsire Bob (b)
105
   7 SE Bob (–)
10
   789 SE Single (s)
22
Performances