5075 Grandsire Caters

5075 Grandsire Caters Op. "Absolutely all the music"
Composed by Albert M Tyler
Arranged by Mark B Davies
23456789 1 2 3 4 5  
42356978 – – (6)
34256 – – –  
54632 – – –  
23456 – – (6)
35624 – – s  
53426 – – s s (4)
32456 – – –  
43256 – – –  
34257968 – – –  
342975 s – – – (4) A
234579 s – –  
324975 s – – s (4)
432579 s – –  
432975 s – – – (4)
243579 s – –  
243975 s – – – (4)
324579 s – –  
234975 s – – s (4)
423579 s – –  
423975 s – – – (4)
42357986 s s – – (4)
35247968 – – (6)
523974 A  
35247896 s – (6)
23465879 s – s (6)
32465978 – – –  
53264 – – s  
45362 – – s  
26543 – – (6)
64523 – – –  
24365 – – –  
32465879 – – s  
53264 – – s  
25364 – – –  
35462 – (6)
43562 – – –  
24365 – – s  
42365978 – – –  
34265 – – –  
26435 – – s  
64325 s –  
34562 s –  
23465 – – s  
42365879 – – s  
54263 – – s  
25463 – – –  
42563 – – –  
(34265879) – – s (4)
16 56s (0f,16b), 224 4-bell runs (111f,113b), Whittingtons, Backrounds.
Blue Line
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Caters
True rows
5075
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Grandsire
Types of call
2
   3.1 LE Bob (–)
133
   3.123 LE Single (s)
46
Date Type Details