5007 Stedman Cinques

Layout
5007 Stedman Cinques
Composed by Mark C Bennett
2314567890E 1 2 4 6 13 15 17 19
21345678E90 – s –
314256 – s–s A
412356 – s–s
214356 – s
(214356789E0) s
213456789E0 A
(2134567809E) –
2143567809E A
2143657890E a
(21436578E90) –
21346578E90 A
2134658709E – s s
2143658709E A

a = 2.s4.5.7.s9.11 (20)
17 56s (0f,17b), 3 65s (0f,3b), 64 4-bell runs (23f,41b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Tenors reversed
  • Palindromic
  • Exact multipart
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
34
   90E SE Single (s)
31
Performances