5021 Stedman Cinques

Layout
5021 Stedman Cinques
Composed by Martin J Cansdale
2314567890E 1 5 6 7 9 14 16 18 19
42135678E90 a
425316 – s
234516 – s –
253416 –
153426 s
546321 – –
231465E7089 b
132465E7908 – – s A
142365 s
435261 – –
314265 –s –
325164 s s
235164 s s s
324165 c
2431658709E d
241365 ss s –
2314657890E e
23516478E90 A
324165 c
231465879E0 f
2351648709E A
1342658709E g

a = s1.2.s7.s9.15.16.18.s18.18
b = 2.6.s9.s14.22
c = 5.6.s14.s16
d = s2.s6.7.s10.s19
e = s2.9.10.s13.s15
f = s2.s7.9.10.s13.s15.18
g = 5.6.s9.s14.s16.s18
24 56s (0f,24b), 3 65s (0f,3b), 209 4-bell runs (47f,162b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5021
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
45
   90E SE Single (s)
55
Performances