5152 4-Spliced Surprise Major

Layout
5152 4-Spliced Surprise Major
Composed by Albert J Pitman
23456 M W B H Methods
24536 3 – 2 L.B.B.S.CSC.LCCSC.
25346 3 – 2 L.B.B.S.CSC.LCL.
63542 – – L.BBBBBBB.
34625 – CS.CS
32546 2 – – SSS.B.S.CSC.
35426 – 2 LS.L.B.
42356 – – LC.CSC.
34256 3 – L.B.B.SL.
34562 2 2 – L.CLSSS.C.SSSLC.L.
53462 3 – LS.B.B.L.
52364 2 – CSC.CLCSC.SL.
52643 – – CS.BBBB.
52436 – – BBBB.SC.
43526 – – LS.CSC.
32465 2 2 L.B.LLLLL.B.L
54263 – – L.SL.
46253 – 2 – – CSC.S.B.SLC.SC.
42563 – 2 BBBBBBB.L.LCL.
23564 – 3 2 CSC.S.B.B.L.CSCCL.
45362 – 3 – CSC.C.B.B.L.
64352 – 3 LS.L.B.B.
23456 – – L.SL.
Contains 1312 Bristol; 1280 Cambridge, London, Superlative; 112 com; atw.
66 crus (28f,38b), 16 5678s (7f,9b), 13 6578s (6f,7b), 131 4-bell runs (61f,70b), 243 5678 combinations (134f,109b), 19 8765s (12f,7b), Queens, Backrounds.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
4
Changes of method
112
Stage
Major
True rows
5152
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Near
Types of call
1
   14 LE Bob (–)
77
Performances