5088 7-spliced Surprise Major

Layout
5152 7-Spliced Surprise Major Op. L6
Composed by Richard I Allton and Mark B Davies
2345678 M F I W B H Methods
24356 s B.
42635 – – s BOO.EEY.LOB.B
(3725468) – – EL.B.
5274368 s –s– –s– OOB.BELEE.YLSCS.OC.YSS.LY[L.]1B.
4526378 – 2 EE.[EC]2Y.OS.
62354 s – s BB.C.E.
4235678 s CCC.OOO
3 part.
1 Replace bracketed methods with SYY in part 3.
2 Replace bracketed methods with SE in part 1.
Contains 960 Bristol, Cornwall (O), Lessness (E); 640 Cambridge; 544 London, Superlative, Yorkshire; 115 com.
99 crus (32f,67b), 42 5678s (18f,24b), 21 6578s (0f,21b), 199 4-bell runs (102f,97b), 612 5678 combinations (252f,360b), 48 8765s (24f,24b), Queens, Kings, Backrounds.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
3
Number of methods
7
Changes of method
115
Stage
Major
True rows
5152
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Near
Types of call
2
   1234 LE Single (s)
24
   14 LE Bob (–)
36
Performances
Date Type Details