5016 Erin Cinques

Layout
5016 Erin Cinques
Composed by John Pladdys
1234567890E 1 5 6 7 8
46531278E90 – – s s
125346789E0 s s s
36541278E90 s s s s
125436789E0 s s s
46321578E90 s – – s
153246789E0 s s s C
26351478E90 s s – s
143526789E0 s s s
56421378E90 s s – – s
134256789E0 s s s
26431578E90 s s – s A
154326789E0 s s s
36451278E90 s s – s
124536789E0 s s s
56231478E90 s s – – s
142356789E0 s s s
36241578E90 s s – s B
152436789E0 s s s
46251378E90 s s – s
132546789E0 s s s
56321478E90 s s s – s
143256789E0 s s s
124356 2A
123456 B
4632157809E – s – s
1234567890E C
18 56s (0f,18b), 160 4-bell runs (73f,87b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Tenors reversed
  • Palindromic
  • Exact multipart
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5016
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
48
   90E SE Single (s)
230
Performances
Date Type Details