5040 Spliced Surprise Minor (7m)

5040 7-Spliced Surprise Minor Op. Charles III
Composed by Peter G C Ellis
Arranged by Richard J Angrave
23456 5 Methods
23564 RRRRR.
52364 EEEEE.
35264 LLLLL.
35642 HHHHH.
35426 AAAAA.
35264 RRRRR.
23564 CCCCC.
23645 HHHHH.
62345 EEEEE.
36245 SSSSS.
23645 CCCCC.
23456 AAAAA.
42356 LLLLL.
34256 SSSSS.
3 part.
7 Queens, 7 Tittums, 7 Kings/Whittingtons, 7 Backrounds.
Blue Line
Musical combination Front Internal Back Count Score
56s       168 168
56s       168 168.00
4-bell runs 84 84 84 252 168
1234s 14 14 14 42 28.00
2345s 14 14 14 42 28.00
3456s 14 14 14 42 28.00
4321s 14 14 14 42 28.00
5432s 14 14 14 42 28.00
6543s 14 14 14 42 28.00
5-bell runs 28 0 28 56 56
12345s 7 0 7 14 14.00
23456s 7 0 7 14 14.00
54321s 7 0 7 14 14.00
65432s 7 0 7 14 14.00
Wraps       70 70
Backstroke wraps of Rounds       7 7.00
Backstroke wraps of Queens       13 13.00
Backstroke wraps of Tittums       11 11.00
Backstroke wraps of Backrounds       13 13.00
Handstroke wraps of Rounds       8 8.00
Handstroke wraps of Queens       6 6.00
Handstroke wraps of Tittums       8 8.00
Handstroke wraps of Backrounds       4 4.00
Combination near misses       84 84
123465 (near miss)       7 7.00
123546 (near miss)       7 7.00
124356 (near miss)       7 7.00
132456 (near miss)       7 7.00
213456 (near miss)       7 7.00
124365 (combination near miss)       7 7.00
132465 (combination near miss)       7 7.00
132546 (combination near miss)       7 7.00
213465 (combination near miss)       7 7.00
213546 (combination near miss)       7 7.00
214356 (combination near miss)       7 7.00
214365 (combination near miss)       7 7.00
Named Rows       91 91
123456 (Rounds)       7 7.00
132546 (Priory/The Intermediate)       7 7.00
135246 (Queens)       7 7.00
142536 (Tittums)       7 7.00
145236 (Jacks)       7 7.00
154326 (Jokers)       7 7.00
213546 (Burdette)       7 7.00
321456 (See-saw)       7 7.00
341256 (Hagdyke)       7 7.00
342516 (Exploded Tittums)       7 7.00
531246 (Kings/Whittingtons)       7 7.00
532146 (Princes)       7 7.00
654321 (Backrounds)       7 7.00
Undesirables       0 0
65s at back       0 0.00
Pair 1-2 3-4 5-6
1-2 210 (100%)
Annable's London Surprise Minor 30 (100%)
Cambridge Surprise Minor 30 (100%)
Eastwood Surprise Minor 30 (100%)
Hull Surprise Minor 30 (100%)
London Surprise Minor 30 (100%)
Rossendale Surprise Minor 30 (100%)
Surfleet Surprise Minor 30 (100%)
3-4 105 (50%) 105 (50%)
Annable's London Surprise Minor 15 (50%) 15 (50%)
Cambridge Surprise Minor 15 (50%) 15 (50%)
Eastwood Surprise Minor 15 (50%) 15 (50%)
Hull Surprise Minor 15 (50%) 15 (50%)
London Surprise Minor 15 (50%) 15 (50%)
Rossendale Surprise Minor 15 (50%) 15 (50%)
Surfleet Surprise Minor 15 (50%) 15 (50%)
5-6 105 (50%) 105 (50%)
Annable's London Surprise Minor 15 (50%) 15 (50%)
Cambridge Surprise Minor 15 (50%) 15 (50%)
Eastwood Surprise Minor 15 (50%) 15 (50%)
Hull Surprise Minor 15 (50%) 15 (50%)
London Surprise Minor 15 (50%) 15 (50%)
Rossendale Surprise Minor 15 (50%) 15 (50%)
Surfleet Surprise Minor 15 (50%) 15 (50%)
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Tenors reversed
  • Palindromic
  • Exact multipart
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
3
Number of methods
7
Changes of method
41
Stage
Minor
True rows
5040
False rows
0
Complete extents
7
Partial extents
0
Applicable leadhead codes
Date composed
23 Apr 2023
Default calls
Near
Types of call
1
   14 LE Bob (–)
42
Collection Chapter Page Reference
7 Surprise Minor (Charles III)
Library
Public
Notes
Composition Id
109445
Created on
Sun 23-Apr-23 16:34 by Richard J Angrave
Modified on
Mon 29-Jan-24 23:55 by Composition Analyser
Published on
Mon 08-May-23 20:14