5040 Maximus (7m)

Layout
5040 7-Spliced Surprise Maximus Op. 7 Surprise Minor
Composed by Peter G C Ellis
234567890ET 1 2 3 4 5 Methods  
4523670E89T – – Ws.WsWsWsWs. (1,4)
426537T80E9 –s – – Ws.Ws.LoLoLo.LoLoLoLo. (1,1,3,4)
436257T908E – – Lo.LoLoLoLoLo. (1,5)
432567T98E0 – LoLoLoLo. (4)
462357T089E – – Lo.LoLoLoLoLo. (1,5)
463527T09E8 – LoLoLoLo. (4)
34562790ET8 – s – Lo.LoLo.WsWsWsWs. (1,2,4)
2653478ET90 s WsWsWs. (3)
234567T908E ––s – Ws.Ws.Ws.NtNtNtNt. (1,1,1,4)
245367T089E – – – NtNt.NtNtNt.NtNtNtNtNt. (2,3,5)
253467T890E – – – NtNt.NtNtNt.NtNtNtNtNt. (2,3,5)
34256790T8E – – NtNt.NtNtNt. (2,3)
423657089ET s s s Nt.WsWsWs.CrCrCrCrCr. (1,3,5)
532647T98E0 – s s Ws.WsWs.CrCrCrCrCr. (1,2,5)
3642579E08T – WsWs.  
234657890ET – s s Ws.WsWsWsWs.CrCrCrCrCr. (1,4,5)
543627T09E8 – s s Ad.AdAd.CrCrCrCrCr. (1,2,5)
4623570E89T – AdAd.  
342657908ET – s s Ad.AdAdAdAd.CrCrCrCrCr. (1,4,5)
524637T80E9 – s s Ad.AdAd.CrCrCrCrCr. (1,2,5)
234657T908E s––s – Ad.Ad.Ad.Ad.BoBoBoBo. (1,1,1,1,4)
246357T089E – – – BoBo.BoBoBo.BoBoBoBoBo. (2,3,5)
263457T890E – – – BoBo.BoBoBo.BoBoBoBoBo. (2,3,5)
34265790T8E – – BoBo.BoBoBo. (2,3)
3542679E08T s 2 Bo.AdAdAdAd.AdAdAdAd. (1,4,4)
346527T09E8 –s– – Ad.Ad.Cm.CmCmCm. (1,1,1,3)
326457T890E – – CmCm.CmCmCmCmCm. (2,5)
324567T80E9 – CmCmCm. (3)
364257T908E – – CmCm.CmCmCmCmCm. (2,5)
362547T98E0 – CmCmCm. (3)
563427ET908 – s CmCm.CmCmCmCm.AdAdAd (2,4,3)
– = 1470 Bob; s = 123478 Single.
Contains 720 Allendale Minor Little (Ad), Bourne Minor Little, Cambridge Minor Little (Cm), Carlisle Minor Little (Cr), London Minor Little, Netherseale Minor Little (Nt), Westminster Minor Little (Ws); 20 com.
1 56 (0f,1b), 2 65s (0f,2b), 168 4-bell runs (84f,84b), Double Whittingtons.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
7
Changes of method
20
Stage
Maximus
True rows
5040
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
None
Types of call
2
   123478 LE Single (s)
22
   1470 LE Bob (–)
54
Performances