5152 Superlative Surprise Major

Layout
5152 Superlative Surprise Major
Composed by Robert E Hardy
23456 t M h W b H
23645 s s
42635 ss –
34625 [ss]1 –
42365 ss – s –
45362 s 3
23465 s 2
2 part; s = 3478 HL Single.
1 Omit in part 2.
100 crus (40f,60b), 30 5678s (12f,18b), 30 6578s (12f,18b), 176 4-bell runs (88f,88b), 576 5678 combinations (288f,288b), 30 8765s (18f,12b), Queens, Backrounds.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Tenors reversed
  • Palindromic
  • Exact multipart
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
2
Number of methods
1
Changes of method
0
Stage
Major
True rows
5152
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
b
Date composed
Default calls
Near
Types of call
2
   14 LE Bob (–)
18
   3478 HL Single (s)
20
Performances
Date Type Details