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Change-Ringing on Handbells (Favourite Compositions)
Properties
Description
Compositions that are attractive for handbell ringing. Page references in the Chapter column (when showing List View) are links to blog articles where the compositions are discussed.
Collection type
Composition
Publication year
2022
Referenced by
Notes
Chapter
Royal Peals
Major Peals
Major Quarters
Maximus Peals
Maximus Quarters
Royal Peals
Royal Quarters
×
Composition Layout Options
Single Method Options
Spliced Options
Lay out composition
by courses
by leads
Columns
Courseheads
Calls
Calling positions
in observation order
in plain course order
in concise layout order
Coursing orders
Method mnemonics
Mid-lead finish in parentheses
Course lengths
Auto
All
Rows
Show all parts
Show all courseheads
Show all coursing orders
Show all leadheads
Expand named blocks
Expand twin bobs
Expand turning courses
Minimum turning course length
×
Blue Line Layout Options for Methods
Blue Line Layout Options for Compositions
Display
Plain course
Grid
Leads across the page
Courses across the page
Allow lead split
Allow course split
Choose working bells from smallest
Maximum columns
Maximum rows per column
Number of rows to display
Starting after row
Column display
Place notation
Calls
Plains
Lead numbers
Bell numbers
Lines
Show falseness
Show music
Row nature
Show handstroke / backstroke
Method mnemonics
Place bells
Leadend underline
Hunt bell weight
0
1
2
3
Working bell weight
0
1
2
3
Line styles
Bell number
Line weight
0
1
2
3
Line colour
7
entries
5040 Bristol Surprise Royal
Composed by
Anthony R Carter
23456
M
W
H
54326
s
s
23465
s
s
––s––
2 part.
Notes: 3-4 ring the 3-4 and coursing positions, 5-6 ring the 5-6 and 3-4 positions. Page:
610
5040 Bristol Surprise Royal
Arranged by
Simon J Gay
(42536)
V
O
I
62534
s
[ss]
1
23645
–
–
6 part; Far calls; Start at the backstroke snap.
1
Include in parts 2 and 3.
Notes: 5-6 coursing throughout.
5280 Bristol Surprise Royal
Composed by
Simon J Gay
23456
M
W
H
(56432)
s
–
34265
s
–
s
6 part.
Notes: Simple 6-part with 5-6 fixed/swapping at the part ends.
5040 Bristol Surprise Royal
Composed by
Graham A C John
Arranged by
Rotation of traditional
23456
M
W
H
32456
s–
43256
s–
s
(53246)
s
24365
s
s
–
2 part.
Notes: 3-4 ring the 3-4 and coursing positions, 5-6 ring the 5-6 and 3-4 positions.
5040 Cambridge Surprise Royal
Composed by
CUG Collective
23456
M
W
H
53462
s
s
42365
s
ss
–
34265
ss
–
23465
ss
–
2 part.
Notes: 3-4 ring the 3-4 and coursing positions, 5-6 ring the 5-6 and 3-4 positions. Page:
347
5040 London No. 3 Surprise Royal
Op. 1705
Composed by
Donald F Morrison
23456
M
W
H
46352
–
s
32654
s
–
34256
2
–
53246
–
46325
–
s
s
24365
–
2 part.
Notes: Lots of coursing for 3-4. Page:
424
5120 Kent Treble Bob Royal
Composed by
Graham A C John
23456
M
W
H
42356
–
43526
–
2
53246
2
–
45362
2
2
2
56423
2
2
24365
–
–
2 part.
Notes: 3-4 always coursing between M and W. Also attributed to Mark B Davies. Page:
646
Library Details
Library
Public
Notes
Collection Id
11354
Created on
by
Simon J Gay
Modified on
by
Simon J Gay