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Change-Ringing on Handbells (Favourite Compositions)
Properties
Description
Compositions that are attractive for handbell ringing. Page references in the Chapter column (when showing List View) are links to blog articles where the compositions are discussed.
Collection type
Composition
Publication year
2022
Referenced by
Notes
Chapter
Major Quarters
Major Peals
Major Quarters
Maximus Peals
Maximus Quarters
Royal Peals
Royal Quarters
×
Composition Layout Options
Single Method Options
Spliced Options
Lay out composition
by courses
by leads
Columns
Courseheads
Calls
Calling positions
in observation order
in plain course order
in concise layout order
Coursing orders
Method mnemonics
Mid-lead finish in parentheses
Course lengths
Auto
All
Rows
Show all parts
Show all courseheads
Show all coursing orders
Show all leadheads
Expand named blocks
Expand twin bobs
Expand turning courses
Minimum turning course length
×
Blue Line Layout Options for Methods
Blue Line Layout Options for Compositions
Display
Plain course
Grid
Leads across the page
Courses across the page
Allow lead split
Allow course split
Choose working bells from smallest
Maximum columns
Maximum rows per column
Number of rows to display
Starting after row
Column display
Place notation
Calls
Plains
Lead numbers
Bell numbers
Lines
Show falseness
Show music
Row nature
Show handstroke / backstroke
Method mnemonics
Place bells
Leadend underline
Hunt bell weight
0
1
2
3
Working bell weight
0
1
2
3
Line styles
Bell number
Line weight
0
1
2
3
Line colour
10
entries
1312 Bristol Surprise Major
23456
M
B
W
H
35264
–
34625
2
3
2
23456
–
2
Notes: Quite a lot of coursing for 3-4 and 5-6. Also true to Kent and Oxford.
1312 Bristol Surprise Major
Composed by
Simon J Gay
42536
M
B
W
H
56234
s
–
36254
s
(42536)
–
3
2
Start at the backstroke snap.
Notes: 5-6 coursing throughout.
1280 Cornwall Surprise Major
Composed by
Simon J Gay
23456
B
H
23456
5
3
Notes: Lots of coursing for 5-6. Start with one or two homes to increase the coursing for 3-4.
1280 Glasgow Surprise Major
Composed by
Simon J Gay
23456
B
H
56423
3
–
2 part.
Notes: Lots of coursing for 5-6.
1344 Little Bob Major
23456
W
M
H
46235
–
s
–
34265
–
[s]
1
12 part.
1
Include in parts 6 and 12.
Notes: Good to call from 5-6.
1280 London Surprise Major
Composed by
Simon J Gay
23456
M
B
W
35264
–
62453
–
–
54326
–
–
2 part.
Notes: 3-4 ring the 3-4 and coursing positions. Page:
248
1344 Plain Bob Major
23456
W
M
H
46235
–
s
–
34265
–
6 part.
Notes: Good to call from 5-6.
1344 Plain Bob Major
Composed by
Simon J Gay
23456
W
M
H
42356
–
62354
s
34256
––s––s
s
–
54236
s
3
23456
s
–
Notes: 3-4 coursing after first H. Page:
359
1360 Plain Bob Major
Composed by
Simon J Gay
23456
W
B
M
H
25463
–
–
64523
s
s
34526
s
65423
––s––s
s
s
35264
s
2
23456
–
–
Notes: 5-6 coursing from B to last M. Page:
359
1280 Yorkshire Surprise Major
Composed by
J Eric Brosius
23456
B
M
W
54632
–
–
24536
2
23456
3
–
–
Notes: 3-4 coursing from the first M to the last W. Page:
391
Library Details
Library
Public
Notes
Collection Id
11354
Created on
Wed 22-Jun-22 18:35
by
Simon J Gay
Modified on
Sun 14-Jan-24 19:38
by
Simon J Gay